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SUBJECT: | Metheny & marching band Back to Subjects |
thirdwind Jul 07 2013 at 12:05 AM |
Ever since my daughter joined the pit orchestra in her high school marching band, I’ve been discovering that specialized variety of music-making. Watching her shuttle between mallets and drums and keyboards during songs, I was immediately reminded of the multi-instrumentalists in the second line that added so much variety and color to the full PMG. I’ve also discovered that Pat is well-known and regarded among the music teachers I’ve met. Tonight I attended "Drums Along the Rockies," a big marching band meet in Denver. The host band performed a movement of First Circle, which made my night. The previous shows’ tunes, ranging from "Piano Man" to "Rite of Spring," mostly left me cold, as marching band often does. Something about the blaring brass and the nervous drumming seems to fragment the music into pieces that I have trouble reassembling in my own head. But from the first notes, First Circle created that familiar tingle in my scalp. I was proud to know the odd meter, and clapped discreetly with it. After a fine performance, the audience seemed attentive, but unmoved. The applause after the song was less than when their name was announced, anyway. First Circle fit very well into this format, IMO, but the crowd seemed to like Le Miz excepts much more. Perhaps that shows what they’re familiar with, and it ain’t PMG anymore. Anyway regarding my rambling post, any thoughts about PMG’s roots in marching band music, or its contemporary applications therein? |
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